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The reverse is also true, where a face is not going to get over with the fans having a heelish gimmick. A heel is not going to get over if their gimmick is one which would generally be associated with a face. Furthermore, a gimmick has to be relevant to whether the wrestler is a face or heel. Meanwhile a worker like Jeff Hardy or AJ Styles is going to be a complete disaster if you try and push them as a monster. He is not going to get over with a Daredevil/Highlight Reel type gimmick. For instance, take Big Show as an example. One of the crucial elements in getting a worker over is the gimmick you set them.
The feeling of bringing a guy up from development and watching him (or her) working their way up to the main event is addictive.
I’m just using this as an example to demonstrate how compelling this is. I had guys like Chris Jericho, RVD, Kurt Angle, Rocky Maivia, Edge, Christian, Jeff Hardy and AJ Styles to name but a few who were in development while I had guys like Lex Luther and Hulk Hogan stinking up my main event scene in WCW. I ended up with a situation where my developmental roster was actually more talented than my active roster. Personally speaking, I’m currently playing a 1996 mod. On top of this, there are still monthly updates of companies and wrestlers being released to this very day.
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There’s so many conceivable scenarios that you can download which are totally free and have hours of fun with. You want a situation where Raw/Smackdown/ECW brands have split into different companies? You got it. You want to play a WCW revival led by Bret Hart? It exists.
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By this I mean that you can find mods for pretty much any scenario you could imagine, and also multiple historical situations. However, the real thing which ensures EWR’s longevity is the online community. It takes time and patience, but it’s great when your hard work eventually comes off. Personally, my favourite thing to do is to start with a company like Stampede (the original database with the game is circa 2003) and build it into being a bona fide worldwide competitor to the WWE.
There is almost no limit to what you can do. So if you have a product similar to the Attitude Era WWF, there’s little point in sending your promo tapes to the Disney Channel!ĮWR is addictive. So if you’re in control of Combat Zone Wrestling (CZW-an ultra-violent American promotion for those of you that don’t know), don’t be expecting to have a primetime show on UPN anytime soon! Likewise, “Extreme” promotions are not going to be able to have shows on family orientated networks (or if they are it’s going to be at hours with little exposure). Naturally the bigger the promotion, the more viewers you’ll realistically be able to achieve.
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It’s easier to learn how to learn how to book matches, feuds and managed in a smaller fed before looking to take charge at a more renowned federation with weekly TV. Sure, there is some satisfaction in booking the WWE, but to start with it can be a bit daunting booking three shows a week as well as a pay per view every month! To get a sense of the game it’s probably better to start with a cult size company like Ring of Honor or Major League Wrestling for instance (I chose Ring of Honor). While there is some fun to be had with WWE, the game really shines when you take control of a smaller company. Whether you take control of a worldwide company such as WWE, a national company, a cult company like RoH or a company smaller than that: you are responsible for its’ wellbeing.
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In EWR, you are responsible for booking events and matches, getting sponsors, signing talent, recruiting staff, attempting to get your promotion TV deals, creating stars and crown champions: you have complete control. Ten years ago this month, EWR was released making this an opportune moment to have a look back at it. We’re going to kick things off with a look at “Extreme Warfare Revenge (EWR).” Created by Adam Ryland as a sequel to “Extreme Warfare Deluxe”, the previous instalment in the “Extreme Warfare” series, “Extreme Warfare Revenge” has achieved a worldwide cult fanbase. Welcome to the first, proper edition of the renamed “Ringside Review” (formally the “Bottom Line”).
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